3/8/2023 0 Comments Steve meade designs le-m10![]() ![]() ![]() It does benefit from moody cinematography by Patrick Meade Jones and an insinuating score by Enis Rotthoff, two elements that can be compared with classic film noir. (One shot looking up at the Golden Gate Bridge even evokes a famous shot of Kim Novak in Vertigo.) These are admirable models, but they set the bar very high, and The White Orchid doesn’t come close to reaching the atmospheric richness of those masterpieces. The idea of characters who become obsessed with a dead woman has animated other suspense films, most notably Rebecca, Laura, and Vertigo. All in all, it’s a mixed bag with limited box office potential, but it has some rewards for fans of the genre. The film, written and directed by Steve Anderson, cleverly updates the formula by introducing a female detective (Olivia Thirlby). A new movie having its world premiere in Santa Barbara this year, The White Orchid, aims to stir fond memories of The Maltese Falcon and The Big Sleep, and it is even presented under the auspices of the Humphrey Bogart Estate, with Bogart’s son, Stephen Bogart, as one of the executive producers. Everyone dreams of resurrecting the film noir classics that flourished in the 1940s, but a lot of changes in Hollywood and the rest of the world add to the formidable challenges.
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